Howard B. Richman’s music is a welcome return to beautiful, timeless melodies reminiscent of film composers and TV composers Henry Mancini, Nino Rota and Michel Legrand. (Think back to these classics: “Moon River” from “Breakfast at Tiffany’s,” “The Godfather” and “Summer of ‘42.”) There is someone writing this kind of melodic music in the 21st Century! His name is Howard B. Richman. His memorable, haunting music captures the mood and brings it to life.
Attention Filmmakers: Music for Your Next Film!
The film composers’ themes below are available for your consideration or I will create new original music to suit your needs. Generic temporary titles were chosen to assist with your placement. The piano solo tracks can be arranged for orchestra.
- Film Music
- TV Music
- Webisode Music
- Web Series Music
- Commerical Music
See also: film & TV composers, orchestrators, theme music, movie themes, film scoring, compositions, film & TV music, orchestrators, film scores, film and TV music, movie music, theme songs, film music, lyrical themes.
PLEASE NOTE:
This music is copyrighted and is not yet available for sale, as it is reserved for use in film, TV or commercials. Filmmakers, producers, directors, music supervisors, music editors, or anyone else who is looking for quality music for their projects are FREE TO USE this music in temp tracks only. DO NOT use this music in the final cut of your film without agreement from Howard B. Richman!!!
Romantic Music
Love #1 
piano solo 1:59
Love #2
orchestra with piano 1:50
Love #3
piano solo 1:32
Longing #3
piano solo 2:07
Stillness
piano solo 3:05
New Age Music.
New Age #11
piano solo 1:27
New Age #14
piano solo 1:38
New Age #15
piano solo 1:21
Shadow of Time
piano solo 1:25
Playfulness #1
piano solo 1:41
Emotions in Music
Deficiency Notice – Theme Song
Music by Howard B. Richman
Produced and directed by Henderson Maddox
Copyright © 2016 Sound Feelings Publishing (BMI)
piano solo 1:34
Sadness #4
orchestra 2:37
Fear #5
string orchestra 1:15
Courage #1
orchestra with piano :56
Freedom #6
sax combo, alternatively titled: “Arriving Home” 3:24
Adventure #1
piano solo 3:10
Anger #7
piano solo, alternatively titled: “Cancer” 1:23
Compassion #4
piano solo, alternatively titled: “Change” 2:49
Playfulness #3
piano solo 1:18
Longing #4
piano & strings 3:52
Wonder #2
orchestra 2:02
Freedom #4
orchestra 1:34
Triumph #3
electronic orchestra 2:00
Ethnic Music
French #2
french accordion & guitar 1:11
French #3
piano solo 1:13
Gypsy #1
violin solo 1:22
TV Music
It’s not every day that you have the DOUBLE honor of having your song performed by Skating champion, Kimmie Meissner and Queen of Popera singer, Romina Arena. December 18, 2016 ABC’s Holiday Movie Skating Spectacular 2016. Every Day is Christmas Day, Composed by Romina Arena and Howard B. Richman. (at 1:01.33)
(ABC seems to have deactivated the video, unfortunately, but you can hear the music immediately below.)
Every Day Is Christmas Day
Music by Howard B. Richman
Words by Romina Arena
Performed by Romina Arena
Copyright © 2007 Christmas and Holiday Music
Available from her CD, “A Joyful Christmas“
Lyrics
Network TV Legal Drama MAIN THEME
synthesizer :30
Network TV Legal Drama MAIN THEME
slow piano 1:00
60s TV Show #1
orchestra :30
Other Music
Al and Leo Global Warming PSA
Music by Howard B. Richman
Produced and written by Cory Slater
Animation by Tom Hester
Surreal #1
Guitar/Voice 2:18
Church #2
brass choir :49
Wedding Music Composed for Friends 9-16-1984
harpsichord 6:48
Processional, Bridal Theme, Recessional.
Disclaimer: Wow, it is very hard for a pianist to play harpsichord. Also, of course, I had to write the processional in 5/4. There are a few mistakes!
Little Lost Boy – Tape Overdub Assignment 1975
Voice Overdub 1:47
In 1975 when I was 15 years old, I had the opportunity to sing in the 300-member “Saratoga Potsdam Choral Institute.” We rehearsed and performed several pieces with the Philadelphia Orchestra at the Saratoga Performing Arts Center in upstate NY. A side class I took was “music technology” which was very old-school at the time. It consisted of using a 1/4″ tape recorder which my dad let me bring from LA, and covering up the erase head so you could record multiple sessions on top of the original. It also dealt with splicing tape and speed variations. This experiment was just with the tape machine and my voice.
